‘Barbie’ Is Adapted? Let’s Fix the Oscar Screenplay Categories.
There’s a way to classify screenplays for Oscar consideration that would reward creativity and make much more sense. Unlike the current system.
There’s a way to classify screenplays for Oscar consideration that would reward creativity and make much more sense. Unlike the current system.
Prosecutors on Friday dropped all charges that had been brought against the country music singer Chris Young in connection with an altercation with an Alcoholic Beverage Commission agent at a Nashville bar. “After a review of all the evidence in this case, the Office of the District Attorney has determined that these charges will be…
Times Insider explains who we are and what we do and delivers behind-the-scenes insights into how our journalism comes together. Laurel Graeber grew up loving the theater and museums. But she never thought she would write about them for The New York Times — or that she would do so for nearly three decades. “I…
Herbert Coward, the actor whose modest career included the small but memorable role of Toothless Man in the 1972 thriller “Deliverance,” was killed on Thursday in a motor vehicle accident in North Carolina. He was 85. Mr. Coward died after he drove onto U.S. Highway 23 in Haywood County in the western part of the…
But the Met faces acute challenges. Mounting live opera is expensive, requiring lavish sets, star singers and a much larger orchestra and chorus than the biggest Broadway shows can boast. Inflation has added to the opera company’s burden, with the costs of shipping and materials increasing sharply. And ticket revenues last season from in-person performances…
A man was arrested in Brazil on Thursday in connection with the killing of Brent Sikkema, a New York art dealer who was found with 18 stab wounds in his Rio de Janeiro apartment this week. The man, Alejandro Triana Trevez, knew Mr. Sikkema and was believed to have stolen cash from the scene before…
The facial features in Cindy Sherman’s hyperenergetic new photo-portraits slide around crazily. Eyes spin out in different directions, competing clamorously for attention. Noses and mouths engage in pitched conflict. The electrifying images, now on view at Hauser and Wirth’s SoHo gallery, are primarily black and white, but there are patches of vivid color. Butting one…