‘Barbie’ Is Adapted? Let’s Fix the Oscar Screenplay Categories.
There’s a way to classify screenplays for Oscar consideration that would reward creativity and make much more sense. Unlike the current system.
There’s a way to classify screenplays for Oscar consideration that would reward creativity and make much more sense. Unlike the current system.
And it’s more of a spectacle than a service. Instead of emulating a leader-follower dichotomy, “Terce” draws from the talents and experiences of a singing, dancing and playing ensemble of 38 “caregivers and makers” — some professional and even virtuosic like Christian, some amateur and unpolished. Keyboards, guitars, woodwinds, strings and percussion are part of…
Everyone from the academy to streaming services splits cinema into two buckets: movies (comedy, romance, horror, whatever) and documentaries, lumped into one unholy pile. Besides being obviously reductive, the division is false: Nonfiction movies can be comedies or romances or horror or any other genre, and they can create new indescribable genres, too. But American…
Now that a grand jury has indicted Alec Baldwin on a charge of involuntary manslaughter for the fatal shooting of a cinematographer on the set of the film “Rust” in New Mexico in 2021, the contours of the looming legal battle are coming into focus. If the case reaches trial, the challenge prosecutors face will…
21 Savage, the London-born mainstay of Atlanta rap, has the first new No. 1 album of 2024 with “American Dream,” following holdovers by Taylor Swift and Morgan Wallen. “American Dream” is 21 Savage’s fourth chart-topper overall, and the first time he has led the Billboard 200 as a solo artist since “I Am > I…
Ghostwriting is a secretive profession. It’s long been maintained that a good ghost writer, like a well-behaved child in the old proverb, should be neither seen nor heard. So it was unusual for a group of around 140 ghostwriters to gather, as they did in Manhattan on Monday, to schmooze and celebrate their work with…
Hi I’m Bradley Cooper. I co-wrote and directed ‘Maestro.’ It was very important to me, at the onset of this scene, that she be in a position of power. So, her on the windowsill, the light haloing her behind, waiting for whoever was gonna come in to be scolded. And then he’s sort of like…