‘Barbie’ Is Adapted? Let’s Fix the Oscar Screenplay Categories.
There’s a way to classify screenplays for Oscar consideration that would reward creativity and make much more sense. Unlike the current system.
There’s a way to classify screenplays for Oscar consideration that would reward creativity and make much more sense. Unlike the current system.
The last time the Whitney Biennial came around, in 2022, its production had been extended an extra year by the Covid pandemic, and the curators had to plan the exhibition and meet artists in virtual visits over Zoom. To prepare for the 2024 Biennial — the latest iteration in the landmark exhibition of American contemporary…
I wasn’t expecting to cry as much as I did at “Godzilla Minus One.” The strong word-of-mouth made it sound like an awesome spectacle with cool action courtesy of the scaly title creature. And while there were awe-inducing showdowns with the monster, the Toho International production, written and directed by Takashi Yamazaki, is largely a…
He earned his fifth Grammy, for best classical crossover album, for “Hornsmoke” (1998), which includes his “Horse Opera for Brass Quintet,” Piano Concerto No. 2 and other serious compositions. Mr. Schickele’s classical recordings also include Quartet No. 1, “American Dreams,” by the Audubon Quartet; “Schickele on a Lark,” by the Lark Quartet; and “The American…
The facial features in Cindy Sherman’s hyperenergetic new photo-portraits slide around crazily. Eyes spin out in different directions, competing clamorously for attention. Noses and mouths engage in pitched conflict. The electrifying images, now on view at Hauser and Wirth’s SoHo gallery, are primarily black and white, but there are patches of vivid color. Butting one…
“We were sharecroppers, got up real early and would play for about 15 or 20 minutes, then walk across the street and I’d have a doughnut and he would have his coffee,” Mr. Sonnier recalled in the 88 Miles West interview. “We shared something very special, and then he’d drive me to school.” A young…
Hi, I’m Michael Mann. I’m the director of ‘Ferrari’. This is a scene in the San Pietro Church in which there’s a workers mass and Enzo and Laura have just come from their daily visit to the mausoleum where their son Dino was buried. He died a year earlier. They’re both in a state of…