An Elastic and Impressive Year in Jazz
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There was much to celebrate in jazz this past year — great new albums from Meshell Ndegeocello, Ambrose Akinmusire and Immanuel Wilkins; outstanding live performances by Cecile McLorin Salvant and Brandon Woody. It was also a year of reflection, following the passing of Wayne Shorter, Ahmad Jamal, Jaimie Branch, Les McCann and others.
Conversations about jazz often extended beyond the bounds of the genre, thanks both to work by open-minded jazz musicians (Kassa Overall, Chief Adjuah) uninterested in that label or the expectations that come with it, and also because of music released outside of the genre (Laufey, André 3000) that prompted conversations about who is included in jazz, and who should be left out.
On this week’s Popcast, a conversation about some of the year’s most impressive jazz releases, the ways in which its borders are softening, and who benefits, and suffers, when people working outside of formal jazz idioms are lumped into conversations about jazz.
Guests:
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Marcus J. Moore, who writes about music for The New York Times
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Giovanni Russonello, who writes about jazz for The New York Times
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